Posts tagged ‘Crafts’

May 21, 2013

Links to Coloring Sheets of Dolls

I will continue to add links here as I find them.

Color Your Doll:

Color Your Teddy Bear:

Color Your Stuffed Animals:

Color Your Toys:

Color Pages of Paper Dolls:

May 14, 2013

“The Story of A Doll-House” by Katharine Pyle

StNicholasMagazine1889The downstairs of the doll’s house.

      Seventy-five years ago, a little brother and sister had a play-house in a cupboard. It was a sheet-closet; and on the upper shelves were piled great rolls of home-spun linen, with bunches of lavender between their smooth folds to make them smell sweet. The two lover shelves belonged to the children, and there, for a while, their toys and boxes were neatly arranged side by side, and pictures were tacked up on the walls.

      Boys are not so careful and orderly in their ways as little girls, and by and by the brother began to store all kinds of queer things in the play-house: bits of stick fit for whittling; an old dog-collar for which he had traded his jack-knife; pieces of string and fishing-line; a rusty key; and many other odds and ends, such as little boys love to gather together in their comings and goings.

      It worried the little girl to have all these things littered about on their neat shelves; and the mother, as she sat in her cushioned rocking-chair, with her basket of sewing at the nursery window, saw it all, and felt sorry for the little daughter. So, one day after the children had started for school with their books tucked under their arms, and two red apples and some gingerbread in their baskets, she put on her bonnet and shawl, and went down the street to the carpenter’s. She described to the carpenter exactly what she wanted, and he said:

      “Yes, yes; ma’am. A slanting roof, and six windows; yes, ma’am. And a wooden standard; yes, ma’am. I will have it done for you next week.”

      And next week the carpenter’s boy brought something to the house on a wheelbarrow, while the children were away at school.

      It was a play-house: a large play-house, a play-house with two chimneys and real glass windows. It was two stories high, and almost more then the boy could wheel.

      The mother had it carried up to her room and put behind the high-post bed, where it was hidden by the white valance.

      All that morning she was busy tacking and snipping and pasting the cutting; and all the while the children were at school, thinking of nothing at all but their lessons.

      It was Saturday and a half-holiday, and about noon the children came home.

      Upstairs they clattered and burst into the nursery, and then stood quite still in the doorway and looked.

      The nursery was very quite, with the chairs and tables in their places, and two squares of yellow sunlight on the carpet, but there, in the middle of the floor, stood a wonderful little house, painted to look just as if it were built of bricks, with chimneys, and glass windows, a slanting black roof, and a white door. It was the little house that the carpenter’s boy had wheeled home on the wheelbarrow; but now it was furnished, and had black and yellow silk curtains at the windows, carpets on the floors, and one of Ann’s own dolls was looking through the little square panes, for it was her home.

      There was a key in a keyhole above the first story windows of the doll-house. The children turned it, and the whole front of the house swung open, windows and all. Then they could see just what was inside.

      There was an upstairs and a downstairs. Upstairs there was a mantelpiece and fireplace, a round black tin stove, and a high-post bed with curtains and a valance. There was a clock standing on a chest of drawers under the looking-glass. There were pictures about the room, and a cozy stuffed chair stood by the bed for Grandmamma Doll to rest in when she came upstairs out of breath.

      Downstairs there was another fireplace, a round center-table decorated with pictures, and a sofa. And there was Grandmamma Doll herself, sitting in the green rocking-chair. There was a folding table that was just the thing for dollies to sit around while they drank a social cup of tea.

      While the little boy and girl were looking at the play-house their mother came in, and stood smiling on them from the doorway without their seeing her.

      That is the story of the real doll-house.

      Yes, of a real doll-house,–a dear old-fashioned doll-house.

      As one opens the front of it a faint, delightful odor of long ago breathes forth, like the ancient fragrance that haunts the boxes and piece-bags of kind old ladies.

      As one looks in the looking-glasses one thinks of all the little girls whose chubby faces have been reflected there, –Ann, in her short-waisted, long-skirted dresses; little nieces of hers, in pantalettes and pig-tails. And now others, with crisp white aprons and bangs, peer in with eager curiosity at the old-time doll-house.

      What fun they have had with it! How many times, on stormy days, when the rain beat on the nursery windows, and swept in whitening gusts over the wet trees on the lawn, the front of the dollies’ house has swung back, and little folks have played happily with it for whole mornings at a time! How often they have pretended a dolly was ill, and have laid here in the fresh, white-sheeted feather bed under the chintz curtains; and then, while the nurse warmed up her food on the tin stove, Grandmamma Doll has had her green rocking-chair brought upstairs, and sat at the bedside and rocked and rocked, while the other dolls went about very softly, and the nurse kept the baby quiet below.

      Not long ago there was a fair in a certain city to raise a fund for a hospital. There, in a room specially set apart for them, were dolls by dozens and dozens, all standing in rows and dressed in their best; for the one that was the finest of all was to receive a prize. And there, too, among all the fine dolls and in the midst of the noise and glare of light, stood the dim old doll-house.

      The key had been turned in the lock and the front had been swung back.

      There was the round tin stove, the high-post bed, and clock; there was the folding table, and the sofa, and there were the silk-covered chairs.

      A crowd of faces peered in, –old and young; people pointed and smiled; it was a noisy crowd, and the yellow-faced dolls, in their old-fashioned dresses, sitting in the quiet rooms, looked out strangely with their black wooden eyes, through the odor of long ago.

      My face, too, peered in upon that old, Quaker doll-family. I too wondered and pointed with the rest, and then I thought how other children, old and young, might perhaps care to look through my eyes into those faded rooms. So, I drew pictures of it all, and afterward I made portraits of the dear jointed and rag dolls, and here they are.

storyofdollhouse1889The upstairs of the doll’s house.

drawingsofolddollsGrimm2013Left to right, The Mother doll, The Grandmother doll and Aunt Jane.

moredrawingofolddollsGrimm2013Left, the Nurse and Baby. Right, Sister Hatty.

December 1, 2012

How To Dress A Spoon Doll or Puppet

spoonheadsad

Spend an afternoon dressing these funny little spoonheads with your young child. Teach them basic sewing skills and then, why not put on a little performance in a homemade theater? Spoonheads also make charming stocking stuffers for children ages 5-8.

Grimm Spoonheads are sold separately at local St. Louis craft fair events.

Links To Dressing Spoon Dolls:

November 30, 2012

A New Chrismon for Christmas

PearlOfGreatPricebyGrimm2012

I have included a link here for those of you who may craft Chrismons at your church during the Christmas Season. I am posting several new Chrismon craft ideas at my Christmas blog within the next few weeks. I will list these links here as I upload the new craft projects on my Christmas blog.

October 3, 2012

A One Hundred Year Old Doll House

I took photos of this antique doll house in my kitchen garden. It once belonged to my mother-in-law and I will now pass it down to my younger daughter this Christmas. There are many handmade furnishings that were especially designed for it. I will include these along with measurements and templates in future articles.

Above is the side view of this 100 year old antique doll house.

The doll house has four rooms of equal size.

The roof of the doll house as seen from above.

The furnishings are mostly handcrafted. Above is an old-fashioned Welsh

cupboard, with miniature copper posts and brass candlesticks.

A hand-carved bed, tiny mattress, coverlet, and two tiny rose needlepoint

pillows provide a cozy place for small dolls to sleep.

A close up shot of the walls and curtains inside the doll house.

The doll house has two side entrances with windows.

The second entrance distinguished by red curtains and an

ornate red and blue print wall paper.

A dresser, movable vanity mirror, wash basin with a pitcher,

a fancy brass crib and a small plastic baby all accompanied this doll

house when my mother-in-law first purchased it.

A small child must have sculpted this bathtub and baby from homemade clay.

This Kitchen table and chair and cupboard also was hand crafted by

the doll house’s former owner. The mouth blown glass oil lamp was one if

the few tiny decorative objects to accompany the furnishings.

Unlike many modern doll houses, this antique version was designed

to be displayed with it’s back against a wall; it has a plain simple cabinet back.

June 26, 2012

My Little Quiet Book

“All By Herself,” a quiet book from the 1950s by Kay Clark was manufactured by Plankie Toys in Younstown, Ohio.

The first page introduces little ones to a charming rhyme about a little girl who dresses herself.

Each page has a special attachment that challenges little people to learn “how” to button, lace, zip, snap, fold and tie.

The original illustrations printed on this fabric quiet book were drawn by “The Twins.”

This little book is perfect for distracting a small child during a long sermon!

Dozens of Ideas for Making Quiet Books:

  1. How to Make A Quiet Book
  2. My “Star Trek” Quiet Book
  3. Quiet books by sweetdreams
  4. The quiet book from Empty Bobbin Sewing Studio
  5. My Children’s Diary quiet book
  6. Quiet Book from Serving Pink Lemonade
  7. Busy Quiet Books
  8. Baby’s felt quiet book
  9. Quiet Book from the crafting chicks
  10. Quiet books by Shelley Wallace
  11. Quiet book patterns by copycrafts
  12. The Quiet Book Makes Its Debut!
  13. On the Go Activity Book
  14. My Finished Quiet Book
  15. Velveteen capes…on the inside
  16. Tiffany’s Quiet Book
  17. Fun Felt Stories
  18. Quiet Activity Book from Place Mats
  19. Close Your Clothes!
  20. The Quiet Encyclopedia
  21. Felt Board Mr. and Mrs Potato Heads
  22. Beth’s Adorable Felt Book for Baby
  23. Tutorial and Pattern: Felt Egg Design Book
  24. Quiet Book Feature
  25. Quiet Book Tutorial: Binding the Edges
  26. Baby Girl Texture Book  and Baby Boy Texture Book
  27. Toot Toot Tuesday-Quiet Book Tutorial
  28. My ABC Book!
  29. Quiet books by Jill
April 10, 2012

Sawtooth Star Quilt


This pale yellow, sawtooth star quilt was made by one of my in-laws.

This pattern would be nice in ivory and green. There are dozens of quilted clover in the white areas of the quilt. I’ve included a template for those of you who would like to make a quilt like this one. Read and agree to the Terms Of Use before downloading the template.

March 21, 2012

Free Simple Sampler

Euskal Museoa / Museo Vasco, Bilbao: Deutsch: ...

Euskal Museoa / Museo Vasco, Bilbao: Deutsch: Stickmuster, 1891 English: Embroidery sampler from 1891 (Photo credit: Wikipedia)

A (needlework) sampler is a piece of embroidery produced as a demonstration or test of skill in needlework. It often includes the alphabet, figures, motifs, decorative borders and sometimes the name of the person who embroidered it and the date. The word sampler is derived from the Latin ‘exemplum’ – an example.

The oldest surviving samplers were constructed in the 15th and 16th centuries. As there were no pre-printed patterns available for needleworkers, a stitched model was needed. Whenever a needlewoman saw a new and interesting example of a stitching pattern, she would quickly sew a small sample of it onto a piece of cloth – her ‘sampler’. The patterns were sewn randomly onto the fabric as a reference for future use, and the woman would collect extra stitches and patterns throughout her lifetime.

16th Century English samplers were stitched on a narrow band of fabric 6–9 in (150–230 mm) wide. As fabric was very expensive, these samplers were totally covered with stitches. These were known as band samplers and valued highly, often being mentioned in wills and passed down through the generations. These samplers were stitched using a variety of needlework styles, threads, and ornament. Many of them were exceedingly elaborate, incorporating subtly shaded colours, silk and metallic embroidery threads, and using stitches such as Hungarian, Florentine, tent, cross, long-armed cross, two-sided Italian cross, rice, running, Holbein, Algerian eye and buttonhole stitches. The samplers also incorporated small designs of flowers and animals, and geometric designs stitched using as many as 20 different colors of thread.
Cross-stitch alphabet sampler worked by Elizabeth Laidman, 1760.

The first printed pattern book was produced in 1523, but they were not easily obtainable and a sampler was the most common form of reference available to many women.

The earliest dated surviving sampler, housed in the Victoria and Albert Museum in London, was made by Jane Bostocke who included her name and the date 1598 in the inscription. However, the earliest documentary reference to sampler making is recorded in 1502 The household expense accounts of Elizabeth of York record that: ‘the tenth day of July to Thomas Fisshe in reward for bringing of concerve of cherys from London to Windsore … and for an elne of Iynnyn cloth for a sampler for the Quene’.

A border was added to samplers in the 17th century, and by the middle of the 17th century alphabets became common, with religious or moral quotations, while the entire sampler became more methodically organised. By the 18th century, samplers were a complete contrast to the scattered samples sewn earlier on. These samplers were stitched more to demonstrate knowledge than to preserve skill. The stitching of samplers was believed to be a sign of virtue, achievement and industry, and girls were taught the art from a young age. 

March 20, 2012

What should a “beginners” sewing kit look like?

 A student’s first sewing kit could be a simple basket, preferably with a lid or a small plastic container. Sometimes teachers prefer to purchase plastic containers all at once for a discount. This also guarantees that the kits will be of uniform size and appearance. Teachers may choose to stack kits neatly on a shelf during the school day. Some students are too forgetful to be trusted with bringing a sewing kit to class when it is needed. Boys can also be a bit self-conscious about packing a sewing kit into their backpacks as well. Personally, I prefer to give the task to the student of “scouting out” their own sewing kit. I believe that individuality and personal choice should be rewarded to a child’s artistic pursuits whenever possible. Encourage the girl who wishes to purchase a small attractive basket or an unusual box for her first sewing kit. Have examples of many small kits on hand to show your students the possibilities. Make sure that several of these samples are not too feminine in appearance or very expensive to collect.

      Here is a linking list to several versions of sewing kits that parents may acquire for their children to use. These kits make wonderful birthday gifts for a young girls. I’ve also included a few links to historical versions of sewing kits as well.

      If you are a parent homeschooling your children and wish to teach sewing skills, you may consider gifting a child with a kit designed for sewing fishing lures. A bait and tackle box is an excellent alternative for a child who prefers this form of entertainment. Sewing skills need not be about clothing. This would also be an excellent winterim course for middle school students after Christmas break in a private school. These brief courses are usually taught for fun and faculty members are always on the look out for new ideas. Girls frequently gravitate to small needlework or quilting classes. However, for those students less inclined to sewing garments or fancy work, bait and tackle boxes have fun possibilities. These make great gifts for a dad if sons or daughters don’t fish. If you intend to teach this type of course make sure that you acquire a good quantity of feathers and specialty products along with a basic manual before starting. There are actually films available that give instructions for crafting lures as well. Make sure that you have some “fish stories” and other fun activities to mix in with the threading or your student(s) may take a nap, well, it is fishing.

March 19, 2012

Quilt Maps

Basic Checkerboard

Circle/Square Design, Quilters often include needlework in the circles

Trellis Pattern, applique designs often go in the larger squares

Narrow Diamonds, include a large applique’ for the center

Add and subtract blocks to size the quilt according to your needs. Jpg. Is copyrighted by Kathy Grimm 2012. For private use, map should not be resold. Shopkeepers and/or teachers may post these for students or recopy for educational purposes or note taking inside of an actual classroom or store, but not online.

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