Posts tagged ‘Art’

May 14, 2013

“The Story of A Doll-House” by Katharine Pyle

StNicholasMagazine1889The downstairs of the doll’s house.

      Seventy-five years ago, a little brother and sister had a play-house in a cupboard. It was a sheet-closet; and on the upper shelves were piled great rolls of home-spun linen, with bunches of lavender between their smooth folds to make them smell sweet. The two lover shelves belonged to the children, and there, for a while, their toys and boxes were neatly arranged side by side, and pictures were tacked up on the walls.

      Boys are not so careful and orderly in their ways as little girls, and by and by the brother began to store all kinds of queer things in the play-house: bits of stick fit for whittling; an old dog-collar for which he had traded his jack-knife; pieces of string and fishing-line; a rusty key; and many other odds and ends, such as little boys love to gather together in their comings and goings.

      It worried the little girl to have all these things littered about on their neat shelves; and the mother, as she sat in her cushioned rocking-chair, with her basket of sewing at the nursery window, saw it all, and felt sorry for the little daughter. So, one day after the children had started for school with their books tucked under their arms, and two red apples and some gingerbread in their baskets, she put on her bonnet and shawl, and went down the street to the carpenter’s. She described to the carpenter exactly what she wanted, and he said:

      “Yes, yes; ma’am. A slanting roof, and six windows; yes, ma’am. And a wooden standard; yes, ma’am. I will have it done for you next week.”

      And next week the carpenter’s boy brought something to the house on a wheelbarrow, while the children were away at school.

      It was a play-house: a large play-house, a play-house with two chimneys and real glass windows. It was two stories high, and almost more then the boy could wheel.

      The mother had it carried up to her room and put behind the high-post bed, where it was hidden by the white valance.

      All that morning she was busy tacking and snipping and pasting the cutting; and all the while the children were at school, thinking of nothing at all but their lessons.

      It was Saturday and a half-holiday, and about noon the children came home.

      Upstairs they clattered and burst into the nursery, and then stood quite still in the doorway and looked.

      The nursery was very quite, with the chairs and tables in their places, and two squares of yellow sunlight on the carpet, but there, in the middle of the floor, stood a wonderful little house, painted to look just as if it were built of bricks, with chimneys, and glass windows, a slanting black roof, and a white door. It was the little house that the carpenter’s boy had wheeled home on the wheelbarrow; but now it was furnished, and had black and yellow silk curtains at the windows, carpets on the floors, and one of Ann’s own dolls was looking through the little square panes, for it was her home.

      There was a key in a keyhole above the first story windows of the doll-house. The children turned it, and the whole front of the house swung open, windows and all. Then they could see just what was inside.

      There was an upstairs and a downstairs. Upstairs there was a mantelpiece and fireplace, a round black tin stove, and a high-post bed with curtains and a valance. There was a clock standing on a chest of drawers under the looking-glass. There were pictures about the room, and a cozy stuffed chair stood by the bed for Grandmamma Doll to rest in when she came upstairs out of breath.

      Downstairs there was another fireplace, a round center-table decorated with pictures, and a sofa. And there was Grandmamma Doll herself, sitting in the green rocking-chair. There was a folding table that was just the thing for dollies to sit around while they drank a social cup of tea.

      While the little boy and girl were looking at the play-house their mother came in, and stood smiling on them from the doorway without their seeing her.

      That is the story of the real doll-house.

      Yes, of a real doll-house,–a dear old-fashioned doll-house.

      As one opens the front of it a faint, delightful odor of long ago breathes forth, like the ancient fragrance that haunts the boxes and piece-bags of kind old ladies.

      As one looks in the looking-glasses one thinks of all the little girls whose chubby faces have been reflected there, –Ann, in her short-waisted, long-skirted dresses; little nieces of hers, in pantalettes and pig-tails. And now others, with crisp white aprons and bangs, peer in with eager curiosity at the old-time doll-house.

      What fun they have had with it! How many times, on stormy days, when the rain beat on the nursery windows, and swept in whitening gusts over the wet trees on the lawn, the front of the dollies’ house has swung back, and little folks have played happily with it for whole mornings at a time! How often they have pretended a dolly was ill, and have laid here in the fresh, white-sheeted feather bed under the chintz curtains; and then, while the nurse warmed up her food on the tin stove, Grandmamma Doll has had her green rocking-chair brought upstairs, and sat at the bedside and rocked and rocked, while the other dolls went about very softly, and the nurse kept the baby quiet below.

      Not long ago there was a fair in a certain city to raise a fund for a hospital. There, in a room specially set apart for them, were dolls by dozens and dozens, all standing in rows and dressed in their best; for the one that was the finest of all was to receive a prize. And there, too, among all the fine dolls and in the midst of the noise and glare of light, stood the dim old doll-house.

      The key had been turned in the lock and the front had been swung back.

      There was the round tin stove, the high-post bed, and clock; there was the folding table, and the sofa, and there were the silk-covered chairs.

      A crowd of faces peered in, –old and young; people pointed and smiled; it was a noisy crowd, and the yellow-faced dolls, in their old-fashioned dresses, sitting in the quiet rooms, looked out strangely with their black wooden eyes, through the odor of long ago.

      My face, too, peered in upon that old, Quaker doll-family. I too wondered and pointed with the rest, and then I thought how other children, old and young, might perhaps care to look through my eyes into those faded rooms. So, I drew pictures of it all, and afterward I made portraits of the dear jointed and rag dolls, and here they are.

storyofdollhouse1889The upstairs of the doll’s house.

drawingsofolddollsGrimm2013Left to right, The Mother doll, The Grandmother doll and Aunt Jane.

moredrawingofolddollsGrimm2013Left, the Nurse and Baby. Right, Sister Hatty.

October 3, 2012

Beware of The Black Belsnickles

I adore sculpting old-world Belsnickles! Several months ago, one of my visitors asked if I had ever made any of my belsnickles black? I said that I would look for some old photos to show some of these from my own collection and here they are. These versions are sculpted entirely in paper mache pulp. They are approximately 21 inches tall and very heavy. I use an old method of sculpting and it takes many hours to create each Santa figure.

May 3, 2012

Papier-mâché, Life-size Baby Doll


I made this papier-mâché baby doll several years ago. It is life-sized and can be dressed in real baby cloths, size three months.

Close up of the baby’s eyes.

The head of this doll is attached to a canvas body and has prefabricated limbs.

A view of her head from the side. I used acrylic paints for her head. Her lace bonnet belonged to my daughters.

This particular papier-mâché head is made with a layers of sanded pulps. Stockinette is stretched over the head and impregnated with Gesso at the end of the process before the head is painted.

April 20, 2012

Hitty, Her First Hundred Years

Aunt Marlene left with me a book from her childhood. It is by far one of the best books about ‘doll adventures’ that I have ever read! It was first published in 1929 by Macmillan Publishing and again the copyright was renewed by Arthurs Pederson in 1957. The author and illustrator of Hitty is Dorothy P. Lathrop.

In 1930 Hitty was awarded the John Newbery Medal as “the most distinguished contribution to American Literature for Children” in that season. Since then her fame has spread far and wide and children everywhere know Hitty.


“Hitty is a doll of great charm and real character. It is indeed a privilege to be able to publish her memoirs which, besides being full of the most thrilling adventures on land and sea, also reveal a personality which is delightful and foreceful. One glance at her portrait will show that she is no ordinary doll. Hitty or Mehitable, as she was really named, was carved from a piece of white ash by a peddler who was spending the winter in Maine. Phoebe Preble, for whom Hitty was made, was very proud of her and took her everywhere, even on a long sailing trip in a whaler. In this way Hitty’s horizon was broadened and she acquired ample material to make her memoirs exciting and instructive.”

The doll painted here looks similar to Hitty.

April 3, 2012

What are the differences between two dimensional and three dimensional doll patterns?

The differences have to do with the number of pattern components and the way these are used in the doll design.

In two dimensional designs, there are most frequently only two flat surfaces to work with: a front and a back side of the doll. However, some doll patterns like these do include an additional boot. This boot or shoe will be a pattern that is two dimensional as well, having only a front side and a back side. Now given that these patterns have only two sides, it is not correct to assume that your doll will not “look” three dimensional. However, those who have little experience in making dolls will assume this is what it means when the pattern is labeled as such. Dolls always take on a 3D quality when they are stuffed. The proportions of a two dimensional doll pattern are very specific to the eventual appearance of a rag doll. This in turn makes the stuffing of a rag doll, an art form in and of itself. This you will quickly determine on your own after having stuffed a doll incorrectly. Hence, the random affectation from somewhere in the classroom, “Teacher, my doll looks funny.”

A three dimensional pattern eliminates much of the guess work or “experience necessary” when stuffing a doll. These patterns must be constructed in a particular order and the the darts must always be lined up in order for the doll artist to have success with them. This is because the compensation for inexperience comes in the manipulation of components within the design. Neither pattern type is necessarily superior, these are merely options given according to the skills and preferences of those artists using them. In other words, three dimensional doll patterns do not necessarily make more attractive dolls or are not more valuable to doll collectors because of their number of parts.

There are, in fact, many highly valued rag dolls in museum collections that are constructed from simple, two dimensional patterns. I enjoy working with both types of patterns. Students, most usually do not. This is because a three dimensional pattern “looks” more intimidating prior to it’s assembly.

March 30, 2012

Chinese Baby Doll Made From Sweaters

This life size baby doll is one of the largest dolls that I have ever made.

His mask is molded from stretched cotton and plaster.

The body is sewn entirely from old sweaters and knit socks.

I’ve included many snapshots here that show the mask at different angles. When painting masks, I feel it is best to treat them like portraits. I think about the coloration of a actual head at different angles. I add subtle lighting affects in order to recreate a life like appearance in the doll.

Here is the backside of the doll.

A close-up shot of his stocking cap.

I chose to add an unusual, large, black button the the baby’s stocking cap.

The baby’s coverall straps are actually just applique.

His booties are wool and old-fashioned lace.

His outfit also has additional leather buttons sewn onto the front.

There are flaps on his stocking cap to keep his ears extra warm in winter

My Chinese baby’s mask was painted with acrylic paints and then sealed with a tough lacquer finish. I gave him to my youngest daughter one year for Christmas. I think he is a very “life like” snow baby!

March 27, 2012

A Pale Yellow Doll Cradle


I purchased this old, pale, yellow doll cradle in a garage sale for $1.50! Some of our readers are interested in building doll furniture so I thought I might include pictures of pieces from my own collection to give you ideas.

My mother-in-law gave to me a small doll blanket that my husband had played with when he was a little boy. He carried it about with his bunny, Lewis. He was only two and it was the sweetest thing for a mother to keep. I just couldn’t imagine such a rugged, athletic man to have such a possession!


I made a doll mattress from an old baby sheet for the cradle. This one, above, turned out a little too small, so I made a second from old ticking.

A picture of the assembled cradle with bedding from a side view.

The yellow cradle as seen from above, with a happy baby doll.

A vinyl baby belonging to my youngest daughter.

A corner shot for those of you drawing up doll furniture to design your own woodworking plans. I hope this gives you plenty of ideas!

More Doll Quilts:

March 26, 2012

A rag doll for my daughter’s birthday


I made this rag doll back in the early 1990s for my oldest daughter’s second or third birthday. My interests in making dolls have always been somewhat focused on the “plaything” aspect of dolls. I have yet to make many dolls that are not intended to be played with by little people. This doll had double stitched seams and she was painted with non-toxic materials. Her face is influenced by those features frequently found on 1930′s rag babies.

March 20, 2012

What should be included in a young student’s first sewing kit?

  • A needle threader – Small fingers and inexperienced eyes can not always keep a needle threaded properly so, keeping a needle threader on hand is a very good idea.
  • A pincushion is sometimes included in a fancy little sewing basket. But, no matter what type of kit your student chooses, he or she should have a small pincushion included in it. Many teachers choose to assign a pincushion first before all other projects are considered. This is a traditional introductory lesson for any person learning to sew.
  • I prefer tiny scissors to a seam riper for children. A seam riper in a beginning sewing class or workshop for young children, is an accident waiting to happen!
  • A small variety of threads – Threads come in very small quantities at sewing shops. It is easy to find tiny spools of thread even in the grocery store. Black, white, navy, red, yellow, pink and pale blue cotton thread are all quite common in these small packs.
  • Sampling of buttons – Students will use odd buttons for decorative purposes or for practice in a beginning sewing class.
  • Her own needles – Students should never share their needles with each other under any conditions what-so-ever! Make this a class rule. The teacher may keep extra needles at her own desk for those students who forget their own. Students should not return the needle to the teacher after using it. In order to prevent the transfer of illness this rule must be reinforced in the classroom.
  • A white piece of chalk is needed for marking fabric. There are also fancy marking pens that older students may wish to purchase.
  • A small tape measure – This is a must even for little kids because it incorporates basic math skills into their sewing projects. Teachers may wish to print and cut these out to help save money on the kit supplies.
  • Band-aids are a must for a kit.
  • Antiseptic spray or an anti-biotic cream is also very important as well inside of any sewing kit. Those needle pricks will occur and they heal up fast with medicine on the spot.
  • A thimble
March 16, 2012

Nut Head Dolls

These dangling nut head dolls were made from natural materials. I loved to spend time with my children gathering from the wooded areas during a Fall walks. This craft brings back to mind fond memories. My oldest daughter helped me collect the acorns from a nearby wooded area and then I strung these dolls together on my own. Had she still been a little girl, this activity would have elicited much excitement. I think that should she ever have little ones of her own, she will enjoy the project again someday.

Sometimes parents get interested in crafts that they intend for their children. This is often the case in the making of nut head dolls! So harvest enough seeds and nuts to make a few for yourself. I enjoy hanging my own samples on the Christmas tree every year. This is, in fact, a very old folksy tradition. Craft artists living in the Appalachian mountains used to make this kind of folk doll to sell to tourists. It was a popular craft around 1910. I still can find nut head dolls in flee markets on a rare occasion.

I have posted a step-by-step craft lesson for this doll project at one of my blogspot blogs for those of you who may be interested in teaching little ones “how” to assemble the parts. I also posted a step-by-step process for stringing seeds here that may come in handy too.

More nut head people on the web:
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